| Sažetak | Ples, u današnje vrijeme, je široko rasprostranjena umjetnost/sport, kako ga koja zemlja definira. Plesači kao kombinacija sportaša i umjetnika, na sebe stavljaju velik pritisak na fizičkoj i mentalnoj razini kako bi zadovoljili ne samo fizičke mogućnosti izvođenja elemenata, koreografija, sekvenci... , nego i estetičku komponentu cjelokupnog performansa. Plesanje većinom počinje od mladosti, no postoje i primjeri uspješnih plesača koji su počeli s plesom nakon adolescencije. Kod plesača se javlja snažna želja za perfekcionizmom i uspješnosti performansa te dolazi do zanemarivanja znakova boli i ozljeda te tzv. „plesanjem kroz boli“ zbog mentalne snage i odlučnosti plesača što ga izlaže mogućnostima značajnih ozljeda te prekida plesne karijere.
Ovo istraživanje je provedeno u cilju provjere Zagrebačkih plesača te njihovog razmišljanja o boli, ozljeđivanju u plesu te u što poduzimaju ili ne poduzimaju ako se javi znak boli ili ozljeda prilikom treniranja. Preciznije, utvrditi kolika je pojavnost ozljeda i boli kod plesača Zagrebačkih plesnih studija te koliko ozbiljno plesači smatraju bol i ozljeđivanje tijekom treniranja.
Analizom podataka dobivenih iz online Ankete zaključilo se da oni ispitanici koji su više posvećeni plesnom svijetu, u slučaju ozljede prilikom treniranja, nastavljaju dalje kroz trening te se statistički više ozljeđuju od onih koji su manje posvećeni plesu. Velik broj ispitanika ne traži pomoć zdravstvenih djelatnika pri pojavi boli i ozljeda bez obzira na razinu posvećenosti plesu, niti prijavljuju u dovoljnom broju nastalu bol i ozljede obitelji, treneru, zdravstvenom djelatniku...
Ovo istraživanje otvara mogućnosti mogućih edukacija ciljane populacije o ozljedama i saniranju istih te rizicima zanemarivanja nastalih stanja za njihovu plesnu karijeru, a i svakodnevni život. Omogućava potencijalne prevencije kroničnih i ozbiljnijih stanja za plesače ispravnim ponašanjem prema sebi, zdravstvenim djelatnicima prema njima i posljedično produljenje plesne karijere. |
| Sažetak (engleski) | Dance, at the present day, is a widespread art/sport, as individual country defines it. Dancers, as a combination of an athlete and an artist, put enormous pressure on their physical and mental level, so they are able to please, not only physical possibilities of succeeding elements, choreography, sequences... , but an aesthetical component of the whole performance. Dancing mostly starts at youth, but there are examples of successful dancers that started dancing after adolescence. In dancers, there is a powerful will for perfectionism and efficacy of performance that it causes neglecting signs of pain and injuries though so called „dancing through pain“ because of sheer will and mental power of dancers, what exposes them to possibilities of severe injuries and in the end, the end of their dancing career.
This research was done in an attempt to check Zagreb dancers and their way of thinking of pain, injuries in dancing and what action they take or don't take if there is a sign of pain and/or injury during training. More precisely, to determine the occurrence of injuries and pain in dancers of Zagreb dance studios and how serious do dancers think of pain and injuries during training.
By analyzing dana from an online questionnaire, it's concluded that examinees who are more dedicated to dance, in case of an injury during training, continue further through training and statistically have more injuries than the examinees that aren't as dedicated to dance. Many of the examinees don't ask for help from medical workers in case of pain and injury, not minding the dedication to dance, nor they report them to family, dance coach or to medical workers...
This research opens up possibilities of education in the dance population of pain, injuries and the care for the same subjects, also the risks of neglecting resulting states of body for their dance career, but an everyday life as well. It enables potential prevention of chronic and more serious states for dancers by correctly treating themselves, medical workers correctly treating them and consequently longer dance career. |
